Bruno Moreschi
1982, Brasil. Now in Brasil.
brunomoreschi[at]gmail.com
CV upon request.
Bruno Moreschi is an artistic researcher and Associate Professor in New Media at Aalto University, Finland (starts January 2026). He holds a PhD in Arts from the State University of Campinas (Unicamp), with a period at Uniarts Helsinki, and his thesis received the Capes Award for Best Thesis in the Arts, an important Brazilian academic honor.
His investigations are related to the deconstruction of systems and the decoding of procedures and social practices in art spaces, museum collections, visual culture, and technology more broadly.
He has been a researcher at many universities and Institutes for Advanced Studies: LIAS – Leuphana University Institute for Advanced Studies, Collegium Helveticum (ETH Zurich), Hanse-Wissenschaftskolleg, University of São Paulo, C4AI Inova USP, and University of Cambridge (2 year online project).
His projects have been recognized by grants, exhibitions, and institutions such as ZKM, Volkswagen Foundation, Van Abbemuseum, 33rd Bienal de Arte de São Paulo, FAPESP, SESC, Rumos Itaú Cultural, Funarte, and the Bauhaus Fellowship.
Moreschi has almost a decade of experience organizing artistic and research residencies and workshops, especially as a senior researcher at the Center for Arts, Design and Social Research (CAD+SR). He is or has been a member of groups such as Tierra Común, the FAPESP Thematic Project Digital Collections and Research: Art, Architecture, and Design, and Histories of AI: A Genealogy of Power (University of Cambridge). As a researcher in the Decay Without Mourning: Thinking Heritage Practices project, he collaborates with indigenous researchers (Irineu Terena, Glicéria Tupinambá, Francy Baniwa) to explore digital tools that can be used in their research to critically engage with indigenous works in museum collections.
He has published articles in journals such as AI & Society, New Media & Society, International Journal of Heritage Studies, ARTMargins, British Society for the History of Science, and Ruukku.
Currently, he develops radical methodologies to (un)train computer vision, particularly inspired by critical pedagogy and conceptual art.
Picture: Julia Knop.
His investigations are related to the deconstruction of systems and the decoding of procedures and social practices in art spaces, museum collections, visual culture, and technology more broadly.
He has been a researcher at many universities and Institutes for Advanced Studies: LIAS – Leuphana University Institute for Advanced Studies, Collegium Helveticum (ETH Zurich), Hanse-Wissenschaftskolleg, University of São Paulo, C4AI Inova USP, and University of Cambridge (2 year online project).
His projects have been recognized by grants, exhibitions, and institutions such as ZKM, Volkswagen Foundation, Van Abbemuseum, 33rd Bienal de Arte de São Paulo, FAPESP, SESC, Rumos Itaú Cultural, Funarte, and the Bauhaus Fellowship.
Moreschi has almost a decade of experience organizing artistic and research residencies and workshops, especially as a senior researcher at the Center for Arts, Design and Social Research (CAD+SR). He is or has been a member of groups such as Tierra Común, the FAPESP Thematic Project Digital Collections and Research: Art, Architecture, and Design, and Histories of AI: A Genealogy of Power (University of Cambridge). As a researcher in the Decay Without Mourning: Thinking Heritage Practices project, he collaborates with indigenous researchers (Irineu Terena, Glicéria Tupinambá, Francy Baniwa) to explore digital tools that can be used in their research to critically engage with indigenous works in museum collections.
He has published articles in journals such as AI & Society, New Media & Society, International Journal of Heritage Studies, ARTMargins, British Society for the History of Science, and Ruukku.
Currently, he develops radical methodologies to (un)train computer vision, particularly inspired by critical pedagogy and conceptual art.
Picture: Julia Knop.