Bruno Moreschi
1982, Brasil. Now in Germany.
brunomoreschi[at]gmail.com
CV upon request.
Bruno Moreschi is an artistic researcher. PhD in Arts from the State University of Campinas (Unicamp), with passage at the Uniarts Helsinki.
His PhD thesis won the Capes Award for Best Thesis in the Arts, Brazil’s highest academic honor. His investigations are related to the deconstruction of systems and the decoding of procedures and social practices in the fields of the arts, museums, visual culture and technology.
Since 2023, he has been a fellow conducting research at LIAS – Leuphana University Institute for Advanced Studies and guest lecturer at the same university. He was recently a researcher at the Collegium Helevticum, the joint Institute for Advanced Studies of ETH, University of Zurich, and ZHdK. He also has teaching experience at Unicamp and the University of São Paulo, where he created and coordinated the Group on AI and Art (GAIA), supervising students and researchers from different areas in
projects related to critical study of data and algorithms.
Moreschi has had experience organizing artistic and research residencies / workshops for almost a decade, especially as a senior researcher at the Center for Arts, Design and Social Research (CAD+SR). He is or has been a member of groups such as Tierra Común, Fapesp Thematic Project Digital Collections and Research: Art, Architecture, and Design; and Histories of AI: A Genealogy of Power (University of Cambridge).
Also he has published articles in journals such as AI & Society, New Media & Society, International Journal of Heritage Studies, ARTMargins, British Society for the History of Science and Ruukku. Moreschi supervises and co-supervises undergraduate, master's and doctoral students at different universities such as Leuphana University and HfK Bremen.
Nowadays, he develops new methodologies to train computer vision, particularly inspired by critical pedagogy and conceptual art. As a researcher on the Decay Without Mourning: Thinking Heritage Practices project, he also works with indigenous researchers to explore technologies tools that can be used in their researchs to critically explore indigenous works in museum collections.
His projects are recognized by grants, exhibitions and institutions such as ZKM, Volkswagen Foundation, Van Abbemuseum, Collegium Helveticum ETH, 33rd Bienal de Arte de São Paulo, SESC, Rumos Itaú Cultural, Funarte, University of Cambridge and Bauhaus Fellowship.
Since 2023, he has been a fellow conducting research at LIAS – Leuphana University Institute for Advanced Studies and guest lecturer at the same university. He was recently a researcher at the Collegium Helevticum, the joint Institute for Advanced Studies of ETH, University of Zurich, and ZHdK. He also has teaching experience at Unicamp and the University of São Paulo, where he created and coordinated the Group on AI and Art (GAIA), supervising students and researchers from different areas in
projects related to critical study of data and algorithms.
Moreschi has had experience organizing artistic and research residencies / workshops for almost a decade, especially as a senior researcher at the Center for Arts, Design and Social Research (CAD+SR). He is or has been a member of groups such as Tierra Común, Fapesp Thematic Project Digital Collections and Research: Art, Architecture, and Design; and Histories of AI: A Genealogy of Power (University of Cambridge).
Also he has published articles in journals such as AI & Society, New Media & Society, International Journal of Heritage Studies, ARTMargins, British Society for the History of Science and Ruukku. Moreschi supervises and co-supervises undergraduate, master's and doctoral students at different universities such as Leuphana University and HfK Bremen.
Nowadays, he develops new methodologies to train computer vision, particularly inspired by critical pedagogy and conceptual art. As a researcher on the Decay Without Mourning: Thinking Heritage Practices project, he also works with indigenous researchers to explore technologies tools that can be used in their researchs to critically explore indigenous works in museum collections.
His projects are recognized by grants, exhibitions and institutions such as ZKM, Volkswagen Foundation, Van Abbemuseum, Collegium Helveticum ETH, 33rd Bienal de Arte de São Paulo, SESC, Rumos Itaú Cultural, Funarte, University of Cambridge and Bauhaus Fellowship.