O Museu Paulista está fechado para obras: revisões críticas e colaborativas da pintura Independência ou Morte, de Pedro Américo. Anais do Museu Paulista: História e Cultura Material, 2023. (only in Portuguse)

Living with images for Large-Scale Data Sets: A Critical pedagogy for scaling-down
With Gabriel Pereira, Photographies journal, 2023.

We’ve always been antagonistic: algorithmic resistances and dissidences beyond the Global North
With Gabriel Pereira, André Mintz and Giselle Beiguelman. Media International Australia journal, 2022.

Platform scams: Brazilian workers: experiences of dishonest and uncertain algorithmic management
With Rafael Grohmann, Gabriel Pereira, Abel Guerra and Ludmilla Costhek Abilio. New Media & Society journal, 2022.

Historical continuum and normatization in art collections and datasets
With Amanda Jurno and Giselle Beiguelman. Modos: Revista de História da Arte, 2022.

Images of Resistance: Thinking about Computer Vision AI in Surveillance Capitalism through Images of Marielle Franco
With Vinicius Ariel Arruda dos Santos, Amanda Jurno, Didiana Prata, Monique Lemos and Lucas Sequeira Nunes. Digital Culture & Society journal, 2021.

Future Movement Future - REJECTED
With Gabriel Pereira. Surveillance & Society journal, 2021.

_rt Moviments
With Christopher Bratton, Dalida Maria Benfield, Gabriel Pereira and Guilherme Falcão. ARTMargins Journal, MIT Press, 2021.

Artificial Intelligence and Institutional Critique 2.0: Unexpected Ways of Seeing with Computer Vision
With Gabriel Pereira. Springer AI & Society journal, 2021 (special edition by Mitra Azar, Geoff Cox and Leonardo Impett).

Recoding Art: Van Abbemuseum collection
Farol UFES journal, 2021.

The Brazilian Workers in Amazon Mechanical Turk: Dreams and realities of ghost workers
With Gabriel Pereira and Fabio G. Cozman. Contracampo journal UFF, 2020.

Ways of Visiting: non-traditional and peripheral approaches to museums
Ruukku 12 - Studies in Artistic Research Journal, 2019.

A História da _rte: deconstruções da narrativa oficial da Arte
Dossiê: A cultura como direito humano: percursos e narrativas. Revista do Centro de Pesquisa e Formação do Sesc São Paulo, 2019. (only in Portuguese)

Quem vê?
With Caroline Carrion and Bernardo Fontes.  Revista magazine, 2022.

Affecting Technologies, Machining Intelligences
With Dalida María Benfield, Gabriel Pereira and Katherine Ye. Center for Arts, Design, and Social Research (CAD+SR), 2021.

Art Book - 50 contemporary artists
Menard Editions, 2014.

Recoding Art: Van Abbemuseum collection
With Deviant Practice Research Grant 2018-19 publication Van Abbemuseum, NL. (chapter) - More here.

The History of _rt
Menard Editions, 2017.

BioMedia: The Age of media with life-like behavior
ZKM | Center for Art and Media, Karlsruhe, 2022.

Actions to enlarge / expand / grow the understanding of the 33rd Biennial of São Paulo
São Paulo Bienal Foundation, 2018.

Conversation in Catalogue 33rd Biennial of São Paulo.
São Paulo Bienal Foundation, BR, 2018.

With Caroline Carrion. Espaço Cultural Marcantonio Vilaça, 2017.

Untitled - Mixed Technique, variable dimensions.
With Paulo Miyada. Funarte, 2014.

Dentes descabelados: Enigmas e entrechoques nas obras de Tunga.
piauí magazine, 2010. (only in Portuguese)

O Disforme: Com vidro, areia, sal, sabão, burros e urubus, Nuno Ramos tornou-se um dos mais respeitados artistas plásticos brasileiros.
piauí magazine, 2010. (only in Portuguese)

Serrote #40
Instituto Moreira Salles, 2022.

Serrote #31.
Instituto Moreira Salles, 2018.

BioMedia: The Age of media with life-like behavior
ZKM | Center for Art and Media Karlsruhe. Edited by Peter Weibel. Spector Books, 2022.

Rafael Grohmann. Entrevista para o projeto DigiLabour, 2019. (only in Portuguese)

Fabio Cypriano über die 33. Biennale in São Paulo 
Texte zur Kunst magazine, dez. 2018. (review, only in German)

Giselle Beiguelman. Impulso Historiográfico
Experience of reconstruction Hal Foster's article, 2018. (Only in Portuguese)

Ronaldo Entler. A fotografia na 33ª Bienal de São Paulo 
Site da revista ZUM, BR. (review, only in Portuguese)

Caroline Carrion. Bruno Moreschi: vision and translation
Ordenamentos, Espaço Marcantonio Vilaça, Brasília, BR, 2017. (catalog text, only in Portuguese)

Jaime Lauriano, Frestas - Trienal de Artes 
SESC Sorocaba, São Paulo, BR, 2015. (catalog text)

Marta Ramos-Yzquierdo. Em Obras 
São Paulo, BR, 2015. (catalog text, only in Portuguese)

Priscila Arantes. Art Book, reading room 
Paço das Artes, São Paulo, BR, 2014. (catalog text)

- Art Book, Menard Editions (textos finais):

Paulo Miyada. It is the thief who makes the opportunity 

Paulo Kühl. Depersonalized authorship 

Joseph Imorde. Encyclopaedic thinking

Paula Borghi. The image of the other 

Tainá Azaredo. Shortcoming as historic dimension 

Ananda Carvalho. The question that remains: an account of a debate 

Camila Belchior. Work in progress 

Victor da Rosa. Discernment and shortcomings