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Texts



We’ve always been antagonistic: algorithmic resistances and dissidences beyond the Global North
With Gabriel Pereira, André Mintz and Giselle Beiguelman. Media International Australia journal, 2022. (academic article)

Quem vê?
With Caroline Carrion and Bernardo Fontes.  Revista magazine, 2022. (text for cultural magazine)

Continuum histórico e normatizações em acervos de arte e datasets 
With Amanda Jurno and Giselle Beiguelman. Modos: Revista de História da Arte, 2022. (academic article)

Serrote #40 
Instituto Moreira Salles, 2022. (cultural magazine - illustration)

Platform scams: Brazilian workers: experiences of dishonest and uncertain algorithmic management
With Rafael Grohmann, Gabriel Pereira, Abel Guerra and Ludmilla Costhek Abilio. New Media & Society journal, 2022. (academic article)

Images of Resistance: Thinking about Computer Vision AI in Surveillance Capitalism through Images of Marielle Franco
With Vinicius Ariel Arruda dos Santos, Amanda Jurno, Didiana Prata, Monique Lemos and Lucas Sequeira Nunes. Digital Culture & Society journal, 2021. (academic article)

Future Movement Future - REJECTED
With Gabriel Pereira. Surveillance & Society journal, 2021 (audiovisual essay)

_rt Moviments
With Christopher Bratton, Dalida Maria Benfield, Gabriel Pereira and Guilherme Falcão. ARTMargins Journal, MIT Press, 2021. (article/visual essay)

Artificial Intelligence and Institutional Critique 2.0: Unexpected Ways of Seeing with Computer Vision
With Gabriel Pereira. Springer AI & Society journal, 2021 (special edition by Mitra Azar, Geoff Cox and Leonardo Impett). (academic article)

Affecting Technologies, Machining Intelligences
With Dalida María Benfield, Gabriel Pereira and Katherine Ye. Center for Arts, Design, and Social Research (CAD+SR), 2021. (book)

Recoding Art: Van Abbemuseum collection 
Farol UFES journal, 2021. (academic article)

The Brazilian Workers in Amazon Mechanical Turk: Dreams and realities of ghost workers
With Gabriel Pereira e Fabio G. Cozman. Contracampo journal UFF, 2020. (academic article)

Recoding Art: Van Abbemuseum collection 
With Deviant Practice Research Grant 2018-19 publication Van Abbemuseum, NL. (chapter) - More here.

Ways of Visiting: non-traditional and peripheral approaches to museums
Ruukku 12 - Studies in Artistic Research Journal, 2019. (academic article)

A História da _rte: deconstruções da narrativa oficial da Arte
Dossiê: A cultura como direito humano: percursos e narrativas. Revista do Centro de Pesquisa e Formação do Sesc São Paulo, 2019. (academic article)

Actions to enlarge / expand / grow the understanding of the 33rd Biennial of São Paulo
São Paulo Bienal Foundation, 2018. (catalogue and artist’s book)

Conversation in Catalogue 33rd Biennial of São Paulo.
São Paulo Bienal Foundation, BR, 2018. (conversation)

Serrote #31.
Instituto Moreira Salles, 2018. (cultural magazine - illustration)

The History of _rt 
Menard Editions, 2017. (pamphlet)

Ordenamentos.
With Caroline Carrion. Espaço Cultural Marcantonio Vilaça, 2017. (exhibition catalogue)

Untitled - Mixed Technique, variable dimensions.
With Paulo Miyada. Funarte, 2014. (exhibition catalogue)

Art Book - 50 contemporary artists
Menard Editions, 2014. (book)

Dentes descabelados: Enigmas e entrechoques nas obras de Tunga.
Revista piauí, 2010. (text for cultural magazine)

O Disforme: Com vidro, areia, sal, sabão, burros e urubus, Nuno Ramos tornou-se um dos mais respeitados artistas plásticos brasileiros.
Revista piauí, 2010. (text for cultural magazine)





Texts about my projects:



Rafael Grohmann. Entrevista para o projeto DigiLabour, 2019.

Fabio Cypriano über die 33. Biennale in São Paulo 
Texte zur Kunst magazine, dez. 2018. (review)

Giselle Beiguelman. Impulso Historiográfico
Revista Select, set. 2018. experience of reconstruction Hal Foster's article)

Ronaldo Entler. A fotografia na 33ª Bienal de São Paulo 
Site da revista ZUM, BR. (review)

Caroline Carrion. Bruno Moreschi: vision and translation
Ordenamentos, Espaço Marcantonio Vilaça, Brasília, BR, 2017. (catalog text)

Jaime Lauriano, Frestas - Trienal de Artes 
SESC Sorocaba, São Paulo, BR, 2015. (catalog text)

Marta Ramos-Yzquierdo. Em Obras 
São Paulo, BR, 2015. (catalog text)

Priscila Arantes. Art Book, reading room 
Paço das Artes, São Paulo, BR, 2014. (catalog text)

- Art Book, Menard Editions (textos finais):

Paulo Miyada. It is the thief who makes the opportunity 

Paulo Kühl. Depersonalized authorship 

Joseph Imorde. Encyclopaedic thinking

Paula Borghi. The image of the other 

Tainá Azaredo. Shortcoming as historic dimension 

Ananda Carvalho. The question that remains: an account of a debate 

Camila Belchior. Work in progress 

Victor da Rosa. Discernment and shortcomings