Hallo,
If you want to go to artistic research projects, click here.
I have separated some texts in this list.
Teaching and educational projects (including supervisions), here.
I have enjoyed taking photographs in museums for many years.
CV and contact, here.
Bruno Moreschi.
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Soon or recently:
Deadline 15th Dec. 2025
Call for proposals: After Memory: Shifting Perceptions of Time and Temporality in the Digital Condition, special issue journal Memory, Mind & Media.
29 Nov. 2025 - 22 Feb. 2026
Exhibition “Antagonists: Algorithmic Resistances”. Curatorship w/ Heloisa Espada and Gabriel Prereira. Museum of Contemporary Art of São Paulo (MAC USP).
27 Nov. 2025
Exhibition “The World Through AI”. Curated by Antonio Somaini. SESC Campinas.
19 Nov. 2025
Lecture “What If…? Implementing Disruptive Computer Vision Training Methods”. Hanse-wissenschaftskolleg – Institute for Advanced Studies, Delmenhorst.
3 - 10 Sep. 2025
Course “Latent Museums: Exploring Museum Collections with Generative AI”. HfK Bremen (organized by Prof. Andrea Sick).
28 March 2025, 14:00
Seminar Image Researchers' meeting. Uniarts Helsinki (talk, organized by Prof. Mika Elo).
12 Feb. 2025
Symposium “Performativity, Memory and Imagination of Technical Images”. Leuphana University, Lüneburg (organization w/ Paula Bertúa).
12 Feb. 2025, 19:30
Filmseries - “Acapulco”. Scala Programkino, Lüneburg (screening of my newest film).
7 - 8. Feb. 2025
LIAS Workshop “Beyond Restitution: Indigenous Practices, Museums, and Heritage”. Leuphana University, Lüneburg (organization w/ Fernanda Pitta, Susanne Leeb, Lynn Rother, Sebastián Eduardo and Laura Felicitas Sabel, in the context of LIAS Institute of Advanced Studies, research training group “Cultures of Critique”, the Leuphana University Kunstraum, and the project “Decay Without Mourning: Future Thinking, Heritage Practices”).
23 - 26 Oct. 2024
Symposium “After Memory”. ZKM Karlsruhe (workshop).
23 - 26 Oct. 2024
Screening “Acapulco”. ZKM Karlsruhe (German premiere, Symposium “After Memory”).
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Working:
2025
Principal Investigator
Collaborative Intelligence in Museum Collections: Combining Expert Human Perception and AI/Computer Vision for Art Analysis, CNPq Brazil.
2025
Research
Hanse-wissenschaftskolleg – Institute for Advanced Study, CNPq Brazil.
2023 - 2027
Research
Digital Collections and Research, São Paulo Research Foundation (Fapesp).
2022 - 2025
Research
Decay Without Mourning: Future Thinking Heritage Practices project,
KTH Royal Institute of Technology, Volkswagen Foundation and Museum of Contemporary Art of São Paulo (MAC USP).
Teaching and research
2024 - 2025
LIAS Institute for Advanced Studies, Leuphana University.
2023 - 2024
Research and workshops
Collegium Helveticum, joint Institute for Advanced Studies of ETH, University of Zurich, and ZHdK.
___
New texts:
Como artistas 'hackeiam' a inteligência artificial e expõem seu lado sombrio. Folha de S. Paulo newspaper, Brazil.
From Human Hands to Machine Eyes: Retraining Computer Vision to “See”.
NO NIIN Magazine, issue 26, Finland.
Decay without mourning: future-thinking heritage practices. International Journal of Heritage Studies.
Five Experimentations in Computer Vision. British Society for the History of Science.
Soon or recently:
Deadline 15th Dec. 2025
Call for proposals: After Memory: Shifting Perceptions of Time and Temporality in the Digital Condition, special issue journal Memory, Mind & Media.
29 Nov. 2025 - 22 Feb. 2026
Exhibition “Antagonists: Algorithmic Resistances”. Curatorship w/ Heloisa Espada and Gabriel Prereira. Museum of Contemporary Art of São Paulo (MAC USP).
27 Nov. 2025
Exhibition “The World Through AI”. Curated by Antonio Somaini. SESC Campinas.
19 Nov. 2025
Lecture “What If…? Implementing Disruptive Computer Vision Training Methods”. Hanse-wissenschaftskolleg – Institute for Advanced Studies, Delmenhorst.
3 - 10 Sep. 2025
Course “Latent Museums: Exploring Museum Collections with Generative AI”. HfK Bremen (organized by Prof. Andrea Sick).
28 March 2025, 14:00
Seminar Image Researchers' meeting. Uniarts Helsinki (talk, organized by Prof. Mika Elo).
12 Feb. 2025
Symposium “Performativity, Memory and Imagination of Technical Images”. Leuphana University, Lüneburg (organization w/ Paula Bertúa).
12 Feb. 2025, 19:30
Filmseries - “Acapulco”. Scala Programkino, Lüneburg (screening of my newest film).
7 - 8. Feb. 2025
LIAS Workshop “Beyond Restitution: Indigenous Practices, Museums, and Heritage”. Leuphana University, Lüneburg (organization w/ Fernanda Pitta, Susanne Leeb, Lynn Rother, Sebastián Eduardo and Laura Felicitas Sabel, in the context of LIAS Institute of Advanced Studies, research training group “Cultures of Critique”, the Leuphana University Kunstraum, and the project “Decay Without Mourning: Future Thinking, Heritage Practices”).
23 - 26 Oct. 2024
Symposium “After Memory”. ZKM Karlsruhe (workshop).
23 - 26 Oct. 2024
Screening “Acapulco”. ZKM Karlsruhe (German premiere, Symposium “After Memory”).
__
Working:
2025
Principal Investigator
Collaborative Intelligence in Museum Collections: Combining Expert Human Perception and AI/Computer Vision for Art Analysis, CNPq Brazil.
2025
Research
Hanse-wissenschaftskolleg – Institute for Advanced Study, CNPq Brazil.
2023 - 2027
Research
Digital Collections and Research, São Paulo Research Foundation (Fapesp).
2022 - 2025
Research
Decay Without Mourning: Future Thinking Heritage Practices project,
KTH Royal Institute of Technology, Volkswagen Foundation and Museum of Contemporary Art of São Paulo (MAC USP).
Teaching and research
2024 - 2025
LIAS Institute for Advanced Studies, Leuphana University.
2023 - 2024
Research and workshops
Collegium Helveticum, joint Institute for Advanced Studies of ETH, University of Zurich, and ZHdK.
___
New texts:
Como artistas 'hackeiam' a inteligência artificial e expõem seu lado sombrio. Folha de S. Paulo newspaper, Brazil.
From Human Hands to Machine Eyes: Retraining Computer Vision to “See”.
NO NIIN Magazine, issue 26, Finland.
Decay without mourning: future-thinking heritage practices. International Journal of Heritage Studies.
Five Experimentations in Computer Vision. British Society for the History of Science.